05 May 2025

This content is tagged as Music .

NEWS

Reuben Brown. Image by Sadbhb Photography.
Reuben Brown. Image by Sadbhb Photography.

Reuben Brown’s first musical experiences were recorder lessons with his siblings, before being part of brass band. Now he’s made the transition to orchestral conducting.

Reuben is the 2025 New Zealand Assistant Conductor-in-Residence and has moved to Auckland to undertake his residency. The residency is supported by Creative New Zealand and delivered through the Auckland Philharmonia, Christchurch Symphony Orchestra, and Dunedin Symphony Orchestra.

“Our parents were supportive of our musical interests. Whether it was driving us to lessons, supporting our school performances, or simply filling the house with music, they created a space for us to love music. It really laid the foundation for everything that’s come since,” Reuben says.

The residency gives Reuben the opportunity to lead rehearsals, help with performances, and work with some of the world’s most esteemed conductors. He’s seeing the conductor’s role in practice and learning all the time.

“It’s been intense but brilliant. We’ve had three programmes with the Auckland Philharmonia which was amazing. Giordano Bellincampi, Music Director and Conductor, has a collaborative approach, and there’s a strong sense of mutual responsibility between him and the orchestra,” he says.

“Giordano is a masterful conductor. He’s empathetic, analytical, and in tune with the needs of the orchestra. I really enjoy working with him and having him as my mentor. He expects a lot from me, which pushes me to stay curious and keep my ideas alive.”

“Conducting is a responsibility and a shared idea of how the repertoire is performed. You’re not just guiding the music, you’re responding in real-time, connecting with the musicians, the audience, and the musicality itself. It’s this mix of spontaneity and precision.” 

This was Reuben’s third time applying for the Assistant Conductor-in-Residence role, having narrowly missed the shortlist on two earlier attempts. He credits fellow conductor and friend Ingrid Martin for helping refine his approach.

“Ingrid’s an amazing educator and friend. She went out of her way to reach out and offer guidance and share her resources. She gave me that extra boost of confidence when I really needed it. Third time’s a charm, I guess.”

Reuben auditioned on his 25th birthday, and as they say, the rest is history. To top off an already special day, the orchestra surprised him by playing ‘Happy Birthday’ in celebration.

“I couldn’t have asked for a better birthday gift than being here! It feels surreal being in this space and getting top-tier advice from people I admire. I pinch myself every time I’m on the podium. It’s humbling and motivating.”

As the year unfolds, Reuben is looking forward to working alongside Giordano for conducting his first full Opera piece - Verdi’s La Traviata by in July. He’s also looking forward to the Matariki concert with the Christchurch Symphony Orchestra and conducting the music to Lynley Dodd’s much-loved Hairy Maclary with the Auckland Philharmonia.

“I’m going to be busy! I’m learning new scores and getting to work with Aotearoa’s finest orchestras and guest conductors. I’m also slowly getting to know my new home - Tāmaki Makaurau. I’ve recently found some amazing bakeries and cafés in Auckland—it’s a nice treat between rehearsals!”

May is Music Month and Creative New Zealand is marking it with music stories on our website every Monday.