2011 Venice Biennale NZ artist featuring with 30 New Zealand artists at the Unnerved exhibtion in Brisbane
29 Apr 2010
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Unnerved: The New Zealand Project
The richness and diversity of contemporary New Zealand art and film will be celebrated in a major exhibition and cinema program at Brisbane’s Gallery of Modern Art (GoMA) from May 1 until July 4, 2010.
Queensland Art Gallery Director Tony Ellwood said
‘Unnerved: The New Zealand Project’ was the second in the Queensland Art Gallery’s series of country-specific exhibitions curated from its contemporary collections.
‘The exhibition explores a rich, dark vein that recurs in New Zealand contemporary art and film.
‘It features more than 120 contemporary New Zealand works by more than 30 artists, dating from the late 1960s to the present, including paintings, drawings, photographs, sculptures, installations, film and video art,’ Mr Ellwood said.
‘In conjunction with ‘Unnerved’ the Gallery’s Australian
Cinémathèque presents ‘New Zealand Noir’, a film program reflecting the unique visions of New Zealand filmmakers.
Mr Ellwood said the Queensland Art Gallery held the largest collection of contemporary New Zealand art outside that country, including many works acquired through the Asia Pacific Triennial of Contemporary Art exhibitions since the early 1990s.
‘Many of the works create a sense of psychological or physical unease for the viewer. It’s interesting to see how artists achieve this in different ways, using scale, mystery, narrative, humour or parody,’ he said.
‘Senior artist Michael Parekowhai is represented by a range of works including two gigantic inflatable rabbits and The Horn of Africa 2006, a sculpture of a life-size seal precariously balancing a grand concert piano on its nose.
‘Powerful images of ten Maori ancestors, part of Lisa Reihana’s ongoing Digital Marae series, play out new versions of traditional narratives for a contemporary audience.
‘Also prominent are haunting photographic series by Yvonne Todd, whose glossy portrait photography references pulp fiction novels and B-grade films, and Anne Noble, who chronicles the otherworldly silence of life for Benedictine nuns,’ Mr Ellwood said.
‘A large floor-based world map created entirely from salt crystals by Ruth Watson, Au hasard 2010, implies a world subject to constant change.
‘Alex Monteith’s panoramic 25 metre-wide video installation documenting the New Zealand Air Force Red Checkers aerobatics display team immerses the viewer in the precision timing and accelerated speed of these highly orchestrated manoeuvres.
Meanwhile, four hilarious episodes from comedy TV series Flight of the Conchords emphasise the subtle cultural differences of the main New Zealand characters Bret and Jemaine in New York.’
Mr Ellwood said the filmmakers featured in the ‘New Zealand Noir’ cinema program untangle elements of family and place, national and personal identity and cultural heritage. ‘Directors include Peter Jackson (Heavenly Creatures 1994), Jane Campion (An Angel at My Table 1990; The Piano 1993), Taika Waititi (Two Cars, One Night 2003; Eagle vs. Shark 2007) and Armagan Ballantyne (The Strength of Water 2009),’ he said. Screenings of animations and films by a younger generation of New Zealand artists will also be shown in the Children’s Art Centre. And, in GoMA’s foyer cabinet, 35 Pacific lei (body adornment) from the Gallery’s Collection will be displayed, demonstrating the diversity of media used by artists across the Pacific.
From 11am to 5pm on Saturday May 1, the exhibition curator, Maud Page, Senior Curator of Pacific Art, QAG, and artists will explore the themes and works in ‘Unnerved’ during a day of public programs at GoMA.
‘Unnerved: The New Zealand Project’ is sponsored by the New Zealand Government and Creative New Zealand. A 200 page catalogue will support the exhibition, which will travel to the National Gallery of Victoria in late 2010.
‘Unnerved’ follows the success of ‘The China Project’ exhibition at GoMA in 2009 that focussed on the depth and scope of the Queensland Art Gallery’s considerable collection of contemporary Chinese art and attracted more than 117,000 visitors.